APPLICATIONS ARE CLOSED
2-DAY SEMINAR WITH STEPHEN SHORE
“THE NATURE OF PHOTOGRAPHS”
SATURDAY JUNE 13 + SUNDAY JUNE 14, 2020
BOWEN ISLAND/VANCOUVER, BC, CANADA
What are photographs today? It merely took a decade to revolutionize in fundamental ways how the world looked at and did photography for over half a century, profoundly transforming the medium’s visual culture and its disputed claim as an art form.
Enter the brave new world of Instagram publishing, hypermedia presence and unending social media sharing: what does being a photographer truthfully mean now? What essential parameters should one consider in order to legitimate someone taking pictures as such? Or couldn’t it all rather have to see with the actual making of photographs, that one enduring defining act of photography? Even so, hasn’t the nature of photographs itself changed forever?
Who else but Stephen Shore, a most seminal figure of color photography and a noted early adopter of digital technology, to circumnavigate the muddled waters of our photographic moment? Take part in a once in a lifetime conversation as he lays out the extent of his 45-year understanding of the medium and draws clarification from his many groundbreaking books, paying particular attention to The Nature of Photographs, the precious offspring of his extensive academic career at Bard College.
Throughout this seminar participants will also have the opportunity to contribute a number of individual questions correlating their work and practice to the ongoing discussion (more details in the seminar description below).
© Cover image: Stephen Shore, Holden Street, North Adams, Massachusetts, July 13, 1974
ABOUT STEPHEN SHORE
Stephen Shore‘s work has been widely published and exhibited for the past forty-five years. He was the first living photographer to have a one-man show at the Metropolitan Museum of Art in New York since Alfred Stieglitz, forty years earlier. He has also had one-man shows at George Eastman House, Rochester; Kunsthalle, Dusseldorf; Hammer Museum, Los Angeles; Jeu de Paume, Paris; and Art Institute of Chicago. In 2017, the Museum of Modern Art opened a major retrospective spanning Stephen Shore’s entire career. He has received fellowships from the Guggenheim Foundation and the National Endowment for the Arts. His series of exhibitions at Light Gallery in New York in the early 1970s sparked new interest in color photography and in the use of the view camera for documentary work.
More than 25 books have been published of Stephen Shore’s photographs including Uncommon Places: The Complete Works; American Surfaces; Stephen Shore, a retrospective monograph in Phaidon’s Contemporary Artists series; Stephen Shore: Survey and most recently, Factory: Andy Warhol and Stephen Shore: Selected Works, 1973-1981. In 2017, the Museum of Modern Art published Stephen Shore in conjunction with their retrospective of his photographic career. Stephen also wrote The Nature of Photographs, published by Phaidon Press, which addresses how a photograph functions visually. His work is represented by 303 Gallery, New York; and Sprüth Magers, London and Berlin. Since 1982 he has been the director of the Photography Program at Bard College, Annandale-on-Hudson, NY, where he is the Susan Weber Professor in the Arts.
SATURDAY, JUNE 13 + SUNDAY JUNE 14
BOWEN ISLAND LODGE, BOWEN ISLAND
Each participant must read Guest Artist Stephen Shore’s book ‘The Nature of Photographs’ integrally before the seminar and prepare a set of 5 different questions to be shared and discussed within the seminar group. The participants’ questions will serve as the foundation for a larger, open conversation to take place about the place and role of the photographic print today, as well as about photographic literacy in the digital age and in relation to contemporary issues and trends.
The Nature of Photographs is the essential primer of photography, not only for students but for anyone with an interest in the medium. This book grew out of a college course that Stephen Shore taught for many years. Its aim is not to explore photographic content – the subject of an image – but to describe the physical and formal attributes of a photographic print, the very elements that form the tools a photographer uses to define and interpret that content. By teaching us how to look at photographs and helping us to see the world the way the photographer may have seen it, Shore also teaches us a way of looking at the world around us.
SEMINAR LOCATION: BOWEN ISLAND
Nestled in spectacular Howe Sound, North America’s southernmost fjord surrounded by towering peaks that rise straight out of the sea, Bowen Island is Vancouver’s natural playground since the 1900s. Dubbed Happy Isle in the 1950s, this enchanted island is known to Vancouverites for its exceptional serenity and laid-back country living easily accessible just a short 20-minute ferry ride from the city.
Today Bowen Island attracts visitors from all around the globe for its lakes, beaches, crown forest lands and beautiful hiking trails up to Mount Gardner (2350 feet) offering stunning panoramic views of Howe Sound. Visitors can also enjoy ‘Snug Cove’, its tiny port and historical marina revitalized with an array of attractions, historic old turn-of-the-century buildings, quaint boutiques, galleries and boardwalks.
THE BOWEN ISLAND LODGE – After a thrilling artful day, relax in the shade of the cedars overlooking the shoreline and natural beauty that surrounds the Lodge. Located in Deep Bay, Bowen Island lodge is a short stroll from the ferry terminal and Snug Cove’s amenities.
More info: https://www.tourismbowenisland.com/
SEMINAR REGISTRATION FEES
$695USD (Students/Recent Graduates: May 2018 & after)
$395 USD (Scholarship Holders)
3 Partial Scholarships (50%) will be made available to currently enrolled undergraduate & graduate photography students + recent photography graduates (May 2018 & after).
All applications must be received by Sunday, September 15, 2019 at Midnight PST.
All applications are free of charge (no fee). Up to 25 participants will be selected to attend. Selected participants will be contacted after September, 15. The seminar is open to both film and digital photographers.
WORKSHOP DEPOSIT & PAYMENT
A $400 deposit will be required upon being selected to confirm participation.
SEMINAR LOCATION & TIME
Hosting Venue: The Bowen Island Lodge
Location: 380 Cardena St, Bowen Island, BC, V0N 1G2
Schedule: Saturday June 13 + Sunday June 14, 2020
Seminar Hours: 10:00-5:00pm with a 1-hour lunch break
TRAVEL, ACCOMMODATIONS & MEALS
Travel to and from Vancouver/Bowen Island is not included. Detailed directions & transportation directions from Vancouver to Bowen Island are provided upon registration.
Complimentary coffee, tea and small snacks are provided every morning. FotoFilmic also coordinates lunch preorders at a nearby restaurant in an effort to minimize waiting times during lunch breaks.
Accommodations are not included, however FotoFilmic holds a number of various room types at discounted rates at the hosting venue (Bowen Island Lodge). Please note room availabilities for the seminar weekend will be limited, with bookings accepted on a first-come first-served basis.
CANCELATIONS & WITHDRAWALS
Withdrawal/cancelation notices must be submitted before March 15, 2020 at the latest to receive a refund. Please note all deposits are subject to a $250 USD cancelation fee. Cancelation requests received after March 15, 2020 will be declined. In the event the seminar was not meeting minimum enrolment or needed to be canceled for any reason, deposits will be refunded in full (no cancelation fee retained). Please also note FotoFilmic cannot be held responsible for any traveling expense refund if the seminar gets canceled. Purchasing travel insurance is therefore recommended.
For any questions or inquiries, please contact FotoFilmic Co-Director Bastien Desfriches Doria directly at email@example.com